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"Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection.,

"Come over to the window, and I will tell you," says Mrs. Geoffrey. "He—he—you must take no notice of it, Geoffrey, but he wanted to kiss me. He offered me the will for one kiss, and——",

She draws up her tall figure to its utmost height, and gazes at the raftered ceiling to see if inspiration can be drawn from thence. But it fails her.,

And then she sings again, some old-world song of love and chivalry that awakes within one a quick longing for a worthier life. Her sweet voice rings through the room, now glad with triumph, now sad with a "lovely melancholy," as the words and music sway her. Her voice is clear and pure and full of pathos! She seems to follow no rule; an "f" here or a "p" there, on the page before her, she heeds not, but sings only as her heart dictates.

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He took them to the edge of a cliff and showed them how to heap up piles of stone, running back from the cliff like this dots in long v , with the point of the V toward the cliff. He said to the people, "Now, do you hide behind these piles of stones, and when I lead the buffalo this way, as they get opposite to you, stand up.",

"I am afraid of nothing," says Mona, simply. "I am not half so much afraid as you were a few moments since, when you could not let your eyes meet mine, and when you shrank from answering me a simple question. In my turn I tell you to pause before going too far.",

"Yes. And after Shakspeare, I like him best, and then Longfellow. Why do you speak in that tone? Don't you like him?",

Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness.